Jaime Gili Venezuelan, b. 1972

Works
  • Jaime Gili, A88 Martin , 2007
    Jaime Gili
    A88 Martin , 2007
    Acrylic on Canvas
    201 × 201cm
  • Jaime Gili, E1 Lago 1 – Lago de las plantas acuáticas, 2010
    Jaime Gili
    E1 Lago 1 – Lago de las plantas acuáticas, 2010
    Acrylic on Canvas
    122 × 96cm
  • Jaime Gili, a235 Socle, 2013
    Jaime Gili
    a235 Socle, 2013
    Acrylic on Linen
    200 × 140 cm
  • Jaime Gili, A148 Illa , 2008
    Jaime Gili
    A148 Illa , 2008
    Acrylic on Linen
    45 × 35 cm
  • Jaime Gili, Diamante de las Semillitas, Petare, Caracas, 2011
    Jaime Gili
    Diamante de las Semillitas, Petare, Caracas, 2011
  • Jaime Gili, The "Nomonochrome" project , 2015
    Jaime Gili
    The "Nomonochrome" project , 2015
    Acrylic on Volkswagen Golf Mk1 Cabriolet
  • Jaime Gili, ART ALL AROUND (Portland, Maine), 2009-2014
    Jaime Gili
    ART ALL AROUND (Portland, Maine), 2009-2014
    Acrylic onto 14 industrial storage tanks
  • Jaime Gili, SALVE (Playa Manzanillo, Margarita, Venezuela), 2008
    Jaime Gili
    SALVE (Playa Manzanillo, Margarita, Venezuela), 2008
    Acrylic onto a wooden fishing boat
  • Jaime Gili, a528 (Republic Announcement), 2019
    Jaime Gili
    a528 (Republic Announcement), 2019
    Acrylic and oil on linen
    195 x 130 cm
    76 3/4 x 51 1/8 in
Overview

Jaime Gili has been living and working in the United Kingdom since 1996. In 1998, Gili obtained his MA from the Royal College of Art in London, and, in 2001, completed a PhD in Fine Arts at the University of Barcelona, Spain.

 

Gili belongs to a generation of Venezuelan artists who necessarily continue to examine the place of their practice within their inheritance of one of the most interesting Modernist movements in Latin America. In the 1950s, architects like Carlos Raúl Villanueva encouraged Venezuelan artists to redefine public space by integrating modern architecture and visual arts. The following generations of artists grew in the midst of this coalescence. In the words of Adrian Locke, Chief Curator of the Royal Academy of Arts in London, “Like Alejandro Otero (1921-1990), Carlos Cruz-Diez (1923-2019) and César Paternosto (b.1931) before him, Gili responds to the space in which he places his work. The surrounding architecture, whether internal and external, is a fundamental consideration.”

 

Gili has developed a unique style that represents a highly distinctive point of convergence between a specific inherited European modernism interlaced with Venezuela’s past historical modernism, and the current affairs. Aware that abstract painting cannot place current reality as such on to the canvas - for instance, the reality of protests and the disintegration of democracy - Gili takes on these issues through their tempo and the painting’s own slow process of becoming. Thus, gradually— and looking within its own limitations, Gili’s abstract paintings attempt to bridge the voids of time and space, the final message being one of a positive future.

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