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The Women’s Century: Female Perspectives in Brazilian Art

Past Gallery Exhibitions exhibition
4 June - 15 July 2021
  • Installation Views
  • Overview
  • Press
Installation Views
  • Beatriz Milhazes b. 1960Casa da Maria, 1992 Signed & dated on verso Acrylic on canvas 100 x 80 cms 39 3/8 x 31 1/2 inches
    Beatriz Milhazes
    b. 1960
    Casa da Maria, 1992
    Signed & dated on verso
    Acrylic on canvas
    100 x 80 cms
    39 3/8 x 31 1/2 inches
  • Installation View The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Installation View

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

  • Lygia Clark 1920 - 1988Bicho Linear [Linear animal], 1960 Stainless steel 45 x 35 x 20 cms 17 3/4 x 13 3/4 x 7 7/8 inches (Variable)
    Lygia Clark
    1920 - 1988
    Bicho Linear [Linear animal], 1960
    Stainless steel
    45 x 35 x 20 cms
    17 3/4 x 13 3/4 x 7 7/8 inches
    (Variable)
  • Eleonore Koch 1926 - 2018Untitled, 1973 Tempera on canvas 81.5 x 64.5 cm 32 1/8 x 25 3/8 in
    Eleonore Koch
    1926 - 2018
    Untitled, 1973
    Tempera on canvas
    81.5 x 64.5 cm
    32 1/8 x 25 3/8 in
  • Installation View The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Installation View

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

  • Lygia Pape 1927 - 2004Untitled (Two works from Book of Time Series), 1965 Industrial paint and tempera on wood Left: 50 x 50 x 10.5 cm (19 3/4 x 19 3/4 x 4 1/8 in) Right: 50 x 50 x 8.3 cm (19 3/4 x 19 3/4 x 3 1/4 in)
    Lygia Pape
    1927 - 2004
    Untitled (Two works from Book of Time Series), 1965
    Industrial paint and tempera on wood
    Left: 50 x 50 x 10.5 cm (19 3/4 x 19 3/4 x 4 1/8 in)
    Right: 50 x 50 x 8.3 cm (19 3/4 x 19 3/4 x 3 1/4 in)
  • Installation View The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Installation View

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

  • Adriana Varejão b. 1964Carnívoras Brancas [White carnivorous], 2012 Oil on plaster on canvas 100 x 200 cm 39 3/8 x 78 3/4 in
    Adriana Varejão
    b. 1964
    Carnívoras Brancas [White carnivorous], 2012
    Oil on plaster on canvas
    100 x 200 cm
    39 3/8 x 78 3/4 in
  • Detail of 'Adriana Varejão, Carnívoras Brancas [White carnivorous], 2012' The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Detail of 'Adriana Varejão, Carnívoras Brancas [White carnivorous], 2012'

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

     
  • Tarsila do Amaral 1886 - 1973Composition (Figure), 1930 Ink and collage on paper 14 x 17 cm 5 1/2 x 6 3/4 in
    Tarsila do Amaral
    1886 - 1973
    Composition (Figure), 1930
    Ink and collage on paper
    14 x 17 cm
    5 1/2 x 6 3/4 in
  • Installation View The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Installation View

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

  • Tarsila do Amaral 1886 - 1973Cena de colônia na fazenda [Farm scene], 1931 Pencil and coloured pencil on paper 21 x 18 cms 8 1/4 x 7 1/8 inches
    Tarsila do Amaral
    1886 - 1973
    Cena de colônia na fazenda [Farm scene], 1931
    Pencil and coloured pencil on paper
    21 x 18 cms
    8 1/4 x 7 1/8 inches
  • Miriam Inez da Silva 1939 – 1996Untitled, 1973 Oil on wood 25.7 x 16.2 cm 10 1/8 x 6 3/8 in
    Miriam Inez da Silva
    1939 – 1996
    Untitled, 1973
    Oil on wood
    25.7 x 16.2 cm
    10 1/8 x 6 3/8 in
  • Installation View The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021) Photography by Eva Herzog

    Installation View

    The Women’s Century — Female Perspectives in Brazilian Art. Cecilia Brunson Projects, London (4 June - 15 July 2021)

    Photography by Eva Herzog

  • Miriam Inez da Silva 1939 – 1996Untitled, 1972 Oil on wood 25.4 x 17 cm 10 x 6 3/4 in
    Miriam Inez da Silva
    1939 – 1996
    Untitled, 1972
    Oil on wood
    25.4 x 17 cm
    10 x 6 3/4 in
Close
Overview
Detail of 'Beatriz Milhazes, Casa da Maria, 1992, Signed & dated on verso, Acrylic on canvas, 100 x 80 cms (39 3/8 x 31 1/2 inches)'
Detail of 'Beatriz Milhazes, Casa da Maria, 1992, Signed & dated on verso, Acrylic on canvas, 100 x 80 cms (39 3/8 x 31 1/2 inches)'
Cecilia Brunson Projects is pleased to present The Women’s Century — Female Perspectives in Brazilian Art. Presented in association with curator Kiki Mazzucchelli, this selection of works foregrounds the unique role played by women in the development of modern and contemporary art in Brazil.
 
This group exhibition brings together works by artists from different generations and spanning several movements and styles. The selection of works includes Tarsila do Amaral (1886-1973), Eleonore Koch (1926-2018), Lygia Pape (1927-2004), Lygia Clark (1920-1988), Miriam Inez da Silva (1937-1996), Beatriz Milhazes (b. 1960) and Adriana Varejão (b. 1964).
 
Download exhibition PDF 
Download press release

 

Press
  • London Gallery Weekend

    Paul Carey-Kent, FAD magazine, June 9, 2021
  • What to See in South London During Gallery Weekend

    Mimi Chu, Frieze, June 4, 2021
  • ‘I Have Always Liked to Discover Artists’: Bianca Jagger Takes Us on a Whirlwind Tour Through the London Gallery Scene

    Naomi Rea, Artnet, June 4, 2021
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