Publisher: Universidad Católica de Chile
Analysis of the work and life of the Argentinean artist Claudio Girola, founder of the avant-garde Art Concrete-Invention movement in Buenos Aires in 1945, and in 1952 of the Architecture Institute of the Catholic University of Valparaíso, which he remained linked to until his death in Viña del Mar in 1994. The book incorporates a selection of works, writings, essays, and the first cadastre of its complete production in Argentina and Chile (sculpture, drawing, publications and exhibitions), which together express their particular vision and approach the sculpture. In addition, four leading professionals develop a critical and historical analysis of the artist's production.
Sylvia Arriagada is a graphic designer at the Catholic University of Valparaíso, where she is an adjunct professor at the School of Architecture and Design. Cecilia Brunson is an art curator, Master of Arts from the Center for Curatorial Studies at Bard College, New York. Tomás Browne is an architect at the Catholic University of Valparaíso, where he taught; member of Amereida