![Jandyra Waters, Sem título [Untitled], 2002](https://static-assets.artlogic.net/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cbprojects/images/view/173fbc351f9e18f781ae34de53f7ba70j.jpg)
![Jandyra Waters, Sem título [Untitled], 2002](https://static-assets.artlogic.net/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cbprojects/images/view/8bff75ea1045f33a16ecd818bbabe060j.jpg)
Jandyra Waters Brazilian, 1921-2025
Sem título [Untitled], 2002
Acrylic on canvas
80 x 80 cm
31 1/2 x 31 1/2 in
31 1/2 x 31 1/2 in
Two essential components found in the work of Waters have always been color – and within the limits allowed by a rigorous geometry – lyricism. Therefore, for concrete standards she...
Two essential components found in the work of Waters have always been color – and within the limits allowed by a rigorous geometry – lyricism. Therefore, for concrete standards she is a perfect heretic. And, finally, emphasizing her peculiarity, she never had the methodical fervor and proselytism of rigid concrete artists. She is not an intellectual but a painter.
Denise Mattar, Jandyra Waters: Ritmo do Tempo (São Paulo: Almeida e Dale, 2015), 5.
Denise Mattar, Jandyra Waters: Ritmo do Tempo (São Paulo: Almeida e Dale, 2015), 5.
Provenance
Collection of Martin Waters, São Paulo, Brazil.Exhibitions
Jandyra Waters: Rhythm of Time, Almeida & Dale, São Paulo, Brazil (27 August - 23 September 2015).