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  • Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016
    Open a larger version of the following image in a popup: Sandra Monterroso, Expoliada II, 2016

    Sandra Monterroso Guatemalan, b. 1974

    Expoliada II, 2016
    Dyed and colour-fast thread with wood mount
    155 x 143 x 12 cm
    61 1/8 x 56 1/4 x 4 3/4 in
    Enquire
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    Further images

    • (View a larger image of thumbnail 1 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 2 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 3 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 4 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 5 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 6 ) Sandra Monterroso, Expoliada II, 2016
    • (View a larger image of thumbnail 7 ) Sandra Monterroso, Expoliada II, 2016
    'Expoliada II' is a large installation of three hanging rows of vibrant yellow thread. Throughout her practice, Monterroso uses colour according to Mayan cosmology: black represents West, white is associated...
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    'Expoliada II' is a large installation of three hanging rows of vibrant yellow thread. Throughout her practice, Monterroso uses colour according to Mayan cosmology: black represents West, white is associated with the North, red is the East, and yellow represents the South. By expressing her own identity through Mayan symbolism, Monterroso replaces the erased Mayan cosmology and history in Guatemala. 'Expoliada II' recalls Monterroso's earlier video diptych, 'Colorando y Decolorando las Hebras' (2011). In this two-part performative action, Monterroso is first seen in an art gallery, bent over her steel pot where she is dying threads yellow using traditional Mayan techniques. Later, she is on the bank of a river, scrubbing the yellow threads clean with the fresh water. The two scenes – and Monterroso’s impossible attempt to wash the yellow dye off the threads in the river - represent the way in which our identity and cultural history are an irreversible part of ourselves.
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    Provenance

    Direct from artist studio

    Exhibitions

    Sandra Monterroso : Dyed in the Wool. Cecilia Brunson Projects, London. 19 June - 30 August 2020
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