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    Open a larger version of the following image in a popup: Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    Open a larger version of the following image in a popup: Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    Open a larger version of the following image in a popup: Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    Open a larger version of the following image in a popup: Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017

    Sandra Monterroso Guatemalan, b. 1974

    La Otra Línea Histórica, Cara o Cruz, 2017
    Achiote, linen, watercolour, feathers and copper coins
    15.5 x 844 cm (check if it is 810 cm)
    Series: Edition 2/3
    Enquire
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    Further images

    • (View a larger image of thumbnail 1 ) Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    • (View a larger image of thumbnail 2 ) Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    • (View a larger image of thumbnail 3 ) Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    • (View a larger image of thumbnail 4 ) Sandra Monterroso, La Otra Línea Histórica, Cara o Cruz, 2017
    La otra línea histórica, cara o cruz (2017) is made from small tufts of black feathers, achiote-stained blankets and pennies showing the face of Fray Bartolomé de las Casas, a...
    Read more
    La otra línea histórica, cara o cruz (2017) is made from small tufts of black feathers, achiote-stained blankets and pennies showing the face of Fray Bartolomé de las Casas, a Spanish Crown cleric, and Guatemala’s national coat of arms. Using the same feathers from her 2014 performance, La Devolución del Penacho de Vucub Caquix, that references Moctezuma’s headdress, La otra línea histórica, cara o cruz addresses the long-standing pan-indigenous concerns about independence, cultural appropriation and sovereignty.
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