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Artworks -

Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Open a larger version of the following image in a popup: Patricia Domínguez, Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024

Patricia Domínguez Chilean, b. 1984

Acaricio a mis tres lunas interiores [I caress my three inner moons], 2024
Watercolour and gemstones on paper
Framed: 62.2 x 62.2 cm (24 1/2 x 24 1/2 in)
Unframed: 57.3 x 57.7 cm (22 1/2 x 22 3/4 in)
Series: Electric Saga
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Further images

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Gemstones: Apatite; Garnet; Opal; Apache Gold; White Quartz; Topaz; Citrine; Rose Quartz; Amethyst; Marcasite; Carnelian; Moonstone; Labradorite The ‘Electric Saga’ series of watercolours began with physical components from the machines...
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Gemstones: Apatite; Garnet; Opal; Apache Gold; White Quartz; Topaz; Citrine; Rose Quartz; Amethyst; Marcasite; Carnelian; Moonstone; Labradorite

The ‘Electric Saga’ series of watercolours began with physical components from the machines Domínguez encountered at CERN and the ESO astronomical facilities in Chile that she visited on her Simetría residency. As the series progressed, the paintings became increasingly fantastical and otherworldly, no longer depicting what she had seen, but articulating the ways these machines expanded her thought processes.

Seeing the sidereal clocks of the ESO telescopes in the Atacama Desert, as well as speaking to astronomers, traditional Cueca singers and indigenous healers in the nearby towns, Domínguez began to consider different ways of measuring time, and dreamed of detaching herself from human rhythms and measuring systems to instead connect with other bodies, such as the moons in our solar system.

This painting takes inspiration from both moon charts and calendars and from science fiction – particularly in the figure’s outfit, in a style Domínguez playfully describes as ‘spiritual fiction.’
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Provenance

Direct from artist

Exhibitions

Itinerarios XXIX, Centro Botín, Santander, Spain, 2024 (forthcoming)

Three Moons Below, Cecilia Brunson Projects, London, UK, 2024


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