![Karin Lambrecht, Installation view from nara roesler, São Paulo of 'Legendas para Bergman [Subtitles for Bergman]', 2011](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cbprojects/images/view/b20db7629084a5b10844d6932acbf15aj.jpg)
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![Karin Lambrecht, Installation view from nara roesler, São Paulo of 'Legendas para Bergman [Subtitles for Bergman]', 2011](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Individual work from 'Legendas para Bergman [Subtitles for Bergman]'
![Karin Lambrecht, Installation view from nara roesler, São Paulo of 'Legendas para Bergman [Subtitles for Bergman]', 2011](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cbprojects/images/view/d7426e2b5a71c1be5aa5c75d870421e8j.jpg)
Individual work from 'Legendas para Bergman [Subtitles for Bergman]'
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Installation view from 'Colors, Words and Crosses', nara roesler, São Paulo
![Karin Lambrecht, Installation view from nara roesler, São Paulo of 'Legendas para Bergman [Subtitles for Bergman]', 2011](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/cbprojects/images/view/0f33b1f90ff825b9ee4454674a5e686b.jpg)
Installation view from 'Colors, Words and Crosses', nara roesler, São Paulo
Karin Lambrecht Brazilian, b. 1957
Installation view from nara roesler, São Paulo of 'Legendas para Bergman [Subtitles for Bergman]', 2011
Translucent tissues paper and sheets of silver leaf on tissue paper
135 x 60 cms
53 1/8 x 23 5/8 inches
(individual works)
53 1/8 x 23 5/8 inches
(individual works)
Further images
Lambrecht is interested in the poetic, human stories that are found in religious traditions and texts. Lambrecht extracts meaning from religious sources but chooses to discard the conventional, doctrinal associations....
Lambrecht is interested in the poetic, human stories that are found in religious traditions and texts. Lambrecht extracts meaning from religious sources but chooses to discard the conventional, doctrinal associations. The shape of the cross sometimes these crosses are written into the work as the letter ‘t’, at other times they are physically attached in the form of copper strips which pierce the canvas. This variation alludes to the way in which Lambrecht attempts to occupy and explore a middle ground between the religious and the secular.
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